![http://www.myspace.com/allisonweiss or http://allisonweiss.tumblr.com/ The tumblr-fiend’s first full length album (that I am aware of) “& the way she likes it” was released just under a month ago. I’ve had it on the iPod for maybe 2 or 3 weeks. I’ve played the songs several times. I believe today was the first time I’ve really /listened/ to them. You know how you’ll have music playing but lines won’t stand out, things won’t cling to you or demand “LISTEN TO ME. WHAT I’M SAYING IS PROBABLY GOING TO FEEL RELEVENT”… I was sort of having this with the album. Nice sound, just wasn’t punching me in the gut. That is until I actually stopped for a minute to listen to The End a second time to make sure I’d got the chorus right… and outstanding it is. I’m Ready Now the album opens with “I’m Ready”. Great up tempo catchy folk-ish song with a subtle drum rhythm and easily learnable chorus. This will be the song that lures you in but strangely enough reminds me of The Ballad of Chasey Lane (Bloodhound Gang) at 2.15 where she says “Are you in or out [Say yes]” which reminds me of “Do you suck for blow?” (spoken) … Ok irrelevent. The two are nothing alike. One’s a comical track about a porn star, the other’s a song about taking a leap for commitment “Hey, don’t act suprised. / I say let’s take the dive / off this cliff. Yeah, this is it, or could be, anyway.” - this is actually how I try to live my life when able. I like to attempt spontaneous living and be willing to just take that dive and see where I end up. If I get this stuck in my head every time I try to do something without pre-planning, this could be a song for the winter… “Dreams can’t get me close /to you and neither can the coast. / These beaches are no remedy / for missing you to death.” That part really hits home… personal. I can only assume that she writes from the heart. I don’t know her, so you can never tell the full extent of their inspiration. I sometimes write based on films, sometimes on my experiences and often on others around me struggling with the pressures of the world. You don’t come up with “‘Cause I don’t want to be here. / I don’t want to see you / have the time of your life, / the time of your life. / And I just want to let go, / but you had me from the get go. / Have the time of your life, / the time of your life without me.” (I don’t want to be here) without having been at that party, or on that website or login into facebook or a text from a friend… or any of those moments where you see your ex is getting on fine without you. Part of you still wants to be missed, part of you (especially if its bad) wants them to never get over you. It stands out, and it reaches in and holds you, fixing your gaze on the very things you’re trying to avoid. I love it. My mum sings “I just want you to go, over to Tesco, and get some bread and a knife, bread and a knife, and then maybe we’ll go, to San Fransisco, with that bread and a knife, bread and a knife, and some cheese”… I don’t think it’ll catch on. The End “Boy, you make it easy to forget we ever met /All this talk of keepin’ touch, there’s been no talkin’ yet / So tell me when you’re ready, man, and I’ll call you my friend / But I don’t mind / Calling this the end” I think this is the most powerful opening line on the 6 track album. All those “Lets stay in touch”… Sometimes you do, sometimes you don’t. It can hurt a lot. She sounds (even a year plus after writing it) to hold the emotion strongly at heart. Break ups that drag out can do that to you. The final song from the album is a slower pace. I think its about laying in bed with the one you love(/like/kiss or hate) and just letting the day fade away. Very calm, very loving and a great conclusion. Every performance is really organic. From the handclaps on Let Me Go, the acoustic guitar strums to the single-channelled vocals (i.e. not a billion layers, a vocal tuner, a thick thuddy noise to cover the voice subtly etc.,) It could almost be a live album with the banter cut out. Her brother’s guitaring on The Disappearing Act is pretty great. Would make a nice guitar hero track. Its a short album, so you can afford to listen to her four or five times in a day without even noticing the time fly. Its office-friendly, free of swearing, organic, healthy and exorcises your own inner demons whilst expressing her own means of release. It is released independently, and it is definitely worth supporting. Brilliant CD. Go pick it up. Sidenote, when I decided to quote lyrics for this I thought I’d find an actual lyric site for that so I don’t get them wrong. Thanks to the genius of her own web-savvy nature, you can type into firefox “Allison Weiss Lyrics” and lo and behold, you reach http://www.allisonw.com/lyrics - clever. I’d also like to point out how difficult it is to choose a segment of her lyrics from these songs as they aren’t tracks with “one line here or there” worth listening to, but fully brilliant and well organised assemblages of lyrics. She is a natural writer it seems, and one to look out for in the future. Word of warning, do not leave on repeat or it will go through five or so cycles before you remember to stop it.](http://15.media.tumblr.com/mlXhZSySSfyyvsp9rnPDanrro1_500.gif)
http://www.myspace.com/allisonweiss or http://allisonweiss.tumblr.com/
The tumblr-fiend’s first full length album (that I am aware of) “& the way she likes it” was released just under a month ago. I’ve had it on the iPod for maybe 2 or 3 weeks. I’ve played the songs several times. I believe today was the first time I’ve really /listened/ to them. You know how you’ll have music playing but lines won’t stand out, things won’t cling to you or demand “LISTEN TO ME. WHAT I’M SAYING IS PROBABLY GOING TO FEEL RELEVENT”… I was sort of having this with the album. Nice sound, just wasn’t punching me in the gut. That is until I actually stopped for a minute to listen to The End a second time to make sure I’d got the chorus right… and outstanding it is.
I’m Ready
Now the album opens with “I’m Ready”. Great up tempo catchy folk-ish song with a subtle drum rhythm and easily learnable chorus. This will be the song that lures you in but strangely enough reminds me of The Ballad of Chasey Lane (Bloodhound Gang) at 2.15 where she says “Are you in or out [Say yes]” which reminds me of “Do you suck for blow?” (spoken) … Ok irrelevent. The two are nothing alike. One’s a comical track about a porn star, the other’s a song about taking a leap for commitment
“Hey, don’t act suprised. / I say let’s take the dive / off this cliff. Yeah, this is it,
or could be, anyway.” - this is actually how I try to live my life when able. I like to attempt spontaneous living and be willing to just take that dive and see where I end up. If I get this stuck in my head every time I try to do something without pre-planning, this could be a song for the winter…
“Dreams can’t get me close /to you and neither can the coast. / These beaches are no remedy / for missing you to death.” That part really hits home… personal.
I can only assume that she writes from the heart. I don’t know her, so you can never tell the full extent of their inspiration. I sometimes write based on films, sometimes on my experiences and often on others around me struggling with the pressures of the world. You don’t come up with “‘Cause I don’t want to be here. / I don’t want to see you / have the time of your life, / the time of your life. / And I just want to let go, / but you had me from the get go. / Have the time of your life, / the time of your life without me.” (I don’t want to be here) without having been at that party, or on that website or login into facebook or a text from a friend… or any of those moments where you see your ex is getting on fine without you. Part of you still wants to be missed, part of you (especially if its bad) wants them to never get over you. It stands out, and it reaches in and holds you, fixing your gaze on the very things you’re trying to avoid. I love it. My mum sings “I just want you to go, over to Tesco, and get some bread and a knife, bread and a knife, and then maybe we’ll go, to San Fransisco, with that bread and a knife, bread and a knife, and some cheese”… I don’t think it’ll catch on.
The End
“Boy, you make it easy to forget we ever met /All this talk of keepin’ touch, there’s been no talkin’ yet / So tell me when you’re ready, man, and I’ll call you my friend / But I don’t mind / Calling this the end” I think this is the most powerful opening line on the 6 track album. All those “Lets stay in touch”… Sometimes you do, sometimes you don’t. It can hurt a lot. She sounds (even a year plus after writing it) to hold the emotion strongly at heart. Break ups that drag out can do that to you.
The final song from the album is a slower pace. I think its about laying in bed with the one you love(/like/kiss or hate) and just letting the day fade away. Very calm, very loving and a great conclusion.
Every performance is really organic. From the handclaps on Let Me Go, the acoustic guitar strums to the single-channelled vocals (i.e. not a billion layers, a vocal tuner, a thick thuddy noise to cover the voice subtly etc.,) It could almost be a live album with the banter cut out. Her brother’s guitaring on The Disappearing Act is pretty great. Would make a nice guitar hero track. Its a short album, so you can afford to listen to her four or five times in a day without even noticing the time fly. Its office-friendly, free of swearing, organic, healthy and exorcises your own inner demons whilst expressing her own means of release. It is released independently, and it is definitely worth supporting. Brilliant CD. Go pick it up.
Sidenote, when I decided to quote lyrics for this I thought I’d find an actual lyric site for that so I don’t get them wrong. Thanks to the genius of her own web-savvy nature, you can type into firefox “Allison Weiss Lyrics” and lo and behold, you reach http://www.allisonw.com/lyrics - clever.
I’d also like to point out how difficult it is to choose a segment of her lyrics from these songs as they aren’t tracks with “one line here or there” worth listening to, but fully brilliant and well organised assemblages of lyrics. She is a natural writer it seems, and one to look out for in the future. Word of warning, do not leave on repeat or it will go through five or so cycles before you remember to stop it.